Rozi Khan Shawq: The Fearless Comedian Who Challenges Power Through Humor

In this world, humans face many troubles. Some may be resolved, while others may remain unresolved. As a result, people often become trapped in anxiety. To overcome this, comedians provide a way to relieve stress and anxiety. Around the world, different comedians play their roles in bringing joy to people. One such artist and comedian is Rozi Khan Shawq, from South Pashtoonistan. He hails from the Killa Saifullah district, where he was born. Belonging to the Sulaiman Khel tribe, he adopted the title “Shawq,” which is well-known for his work and passion.
Shawq is not just a comedian of one district—he has gained nationwide fame. He entertains the people of Balochistan with his humorous takes on historical stories and moral lessons. Through his comedy, he promotes culture, critiques regional issues, and discusses matters that often remain unspoken. His art serves as a means of cultural expression and social commentary.
Recently, while sitting at a hotel in Karachi, Shawq made jokes that criticized two well-known personalities. As a result, he faced significant challenges. He was allegedly taken by guards who forced him to record an apology video for his remarks. However, the controversy did not end there. Some individuals in Balochistan, sitting in the cold, unearthed old clips of his jokes and misrepresented them as blasphemous. This situation mirrors what happened to Sakhi Lala. One might ask: what is happening to the people of this province today?
Rozi Khan Shawq is a household name that is familiar to every child in every village because of his critical yet humorous commentary. No major event takes place without his presence. Even audiences abroad follow him to stay connected with their culture, despite being thousands of miles away from home.
Shawq began his career approximately 15 years ago, and many grew up enjoying his jokes and performances. Over the years, he has influenced countless individuals. In addition to being a comedian, he has also been a renowned singer. While he has gained a massive following, he has also faced criticism. Despite hardships, he has remained steadfast in his journey, which aims to bring joy to people, regardless of location, ethnicity, or background. His ability to connect with the audience through his communication skills and behavior makes his comedy unique. For instance, he frequently jokes about the Bazai branch of the Kakar caste based on historical anecdotes. Similarly, various other Pashtoon tribes, such as Nasar, Kasi, Syed, Achakzai, and Kakar, are often referenced in his humor, making them famous in Pashtoon communities.
Criticism against Rozi Khan Shawq is nothing new. If he is invited to a wedding or any regional event, his primary role is to entertain guests through satire and comedy. However, the very next morning, he often faces backlash. Why? Because his jokes sometimes target tribes, religious scholars, or make light references to religion—not with ill intent, but purely for entertainment.
A major controversy arose when he humorously criticized two of the popular businessmen of Balochistan, pointing out their struggle with Urdu fluency. This led to a political and cultural backlash, and one source even claimed he was kidnapped. Over the years, he has received threats, been accused of blasphemy, and even faced death threats via phone messages.
Despite this, Rozi Khan Shawq continues to receive widespread public support. Many citizens, including students and tribal leaders, have stood by him, recognizing his contributions to nation-building and unity through comedy. Influential figures such as Malak Hasham Kakar have gifted him land and financial assistance. Similarly, Lala Yousaf Khilji warned, “If you abandon this art, we won’t let you go because even at 70+, we listen to your shows just to laugh for a moment.” Moreover, many of his supporters have blamed the opposition and launched social media campaigns in his favor.
Regardless of the criticism, Rozi Khan Shawq’s impact on arts, culture, and society remains immense. Comedy, like drama and literature, is a powerful art form. Shawq has preserved this tradition through humor, irony, and satire. He has also helped promote the culture of Southern Pashtoonistan and Balochistan on national and global levels, showcasing the Pashto language, traditions, and notable figures inspiring youth to hold their cultural values.
Looking ahead, Rozi Khan Shawq has the potential to double his influence, becoming an even more significant cultural figure. Just as comedians like Kapil Sharma inspire youth in neighboring countries, Shawq can play a similar role at national and provincial levels.
Art is a form of freedom, and Rozi Khan Shawq embodies this artistic liberty. Nevertheless, he has faced criticism even from his own tribe. Despite this, he continues to motivate people and impart life lessons through his shows—similar to how Allama Iqbal conveyed wisdom through poetry in the subcontinent. Shawq’s jokes are independent and boundless. If analyzed carefully, even his controversial jokes can serve as constructive criticism, encouraging influential figures to refine their speech and actions.
In conclusion, Rozi Khan Shawq is among the rare few who openly critique society through art—something many dare not attempt. Who else can humorously challenge powerful leaders or regional systems in such an encoded yet impactful manner?
From my perspective, Rozi Khan Shawq is one of the few personalities in Balochistan who can make people laugh at a time when depression and anxiety have become the new normal. Like Shawq, Ijaz Ufaq is another God-gifted talent in the region. However, for Shawq, comedy is not just a passion—it is his profession and livelihood. While baseless rumors may seek to undermine his success, his jokes have uplifted countless individuals, including students who have gone on to become doctors and engineers.
Instead of tearing down someone’s creativity, we should support it. Let us appreciate his talent, enjoy his humor, and cherish the moments of laughter he brings.
The views and opinions expressed in this article/paper are the author’s own and do not necessarily reflect the editorial position of The Spine Times.

Farid Ullah Khan
The writer is an undergraduate student of BS International Relations at BUITEMS.